I had the pleasure of teaching Gerard Manley Hopkins recently, a poet who stands among one of the greats in English literature (he even coined his own poetic term: Sprung Rhythm). We honor Hopkins today for his deep-hewed tree poem: Binsey Poplars. This poem is not only a meditation on what is lost in nature when we allow instrumentalism to determine our way of being in the world, but also what we lose within ourselves. 
Binsey Poplars
by  Gerard  Manley Hopkins 
felled 1879
  My aspens dear,  whose airy cages quelled, 
  Quelled or quenched  in leaves the leaping sun, 
  All felled, felled,  are all felled; 
    Of a fresh and  following folded rank 
                Not  spared, not one 
                That  dandled a sandalled 
         Shadow that  swam or sank 
On meadow and river and wind-wandering weed-winding bank. 
  O if we but knew  what we do 
         When we  delve or hew — 
     Hack and rack  the growing green! 
          Since  country is so tender 
     To touch, her  being só slender, 
     That, like this  sleek and seeing ball 
     But a prick will  make no eye at all, 
     Where we, even  where we mean 
                 To  mend her we end her, 
            When we  hew or delve: 
After-comers cannot  guess the beauty been. 
  Ten or twelve, only  ten or twelve 
     Strokes of havoc  unselve 
           The sweet  especial scene, 
     Rural scene, a  rural scene, 
     Sweet especial  rural scene. 
 
 
 
 
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